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Palma Vecchio Diana and Callisto 1525
Art History Museum, Vienna
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Palma Vecchio Portrait of a Woman
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Palma Vecchio The Three Sisters (detail) dh about 1520
Oil on wood, 88 x 123 cm (full painting)
Gemäldegalerie, Dresden
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Palma Vecchio Jacob and Rachel ag 1515-25
Oil on canvas, 146,5 x 250,5 cm
Gemäldegalerie, Dresden
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Palma Vecchio Judith ag Oil on canvas, 90 x 71 cm
Galleria degli Uffizi, Florence
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Palma Vecchio Portrait of a Young Man af Oil on panel, 38,7 x 29 cm
Museum of Fine Arts, Budapest
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Palma Vecchio Portrait of a Young Woman ag Oil on panel, 38,8 x 28,5 cm
Museum of Fine Arts, Budapest
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Palma Vecchio The Adoration of the Shepherds with a Donor (mk05) Canvas,55 x 82 1/2''(140 x 210 cm).Acquired by Louis XIV in 1685
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Palma Vecchio Diana discovers Callisto's Misdemeanour (mk08) c.1525
Oil on canvas on wood,
77.5x124cm
Vienna,Kunsthistorisches Museum
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Palma Vecchio Judith with the Head of Holofernes mk65
Panel
35 7/16x27 15/16in
Uffizi
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Palma Vecchio Madonna and Child with Commissioners mk65
Oil on canvas
transferred from panel
47x68"
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Palma Vecchio Portrait of a Man mk65
Oil on canvas
37x28"
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Palma Vecchio The Raising of Lazarus mk67
Panel
37x43 5/16in
Uffizi,Gallery
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Palma Vecchio A Blonde Woman nn07
Oil on wood, 77,5 x 64,1 cm
National Gallery, London
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Palma Vecchio Sacred Conversation c. 1525
Oil on canvas, 127 x 195 cm
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Palma Vecchio Diana discovers Callisto's Misdemeanour mk86
c.1525
Oil on canvas on wood
77.5x124cm
Vienna,Kunsthistorisches Museum
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Palma Vecchio Young Faunus Playing the Syrinx mk141
ca.1513/15
Oil on poplar
19.6x16.4cm
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Palma Vecchio The Holy Family with Mary Magdalene and the Infant Saint John mk156
c.1520
Oil on wood
87x117cm
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Palma Vecchio Paola Priuli and Francesco Querini mk157
1528
Oil on wood
82x73.5cm
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Palma Vecchio Portrait of a young bride as flora mk170
circa 1520
Oil on wood
80x64cm
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Palma Vecchio
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1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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